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            <title xml:id="MRM1747">Letter to <persName ref="#Elford_SirWm">Sir William Elford</persName>, September 12, 1819</title>
            <author ref="#MRM">Mary Russell Mitford</author>
            <editor ref="#lmw">Lisa M. Wilson</editor> 
            <sponsor>
                    <orgName>Mary Russell Mitford Society: Digital Mitford Project</orgName>
                </sponsor>
              <sponsor>University of Pittsburgh at Greensburg</sponsor>
            <sponsor>Pittsburgh Supercomputing Center</sponsor>
            <principal>Elisa Beshero-Bondar</principal>
        
            <respStmt>
               <resp>Transcription and coding by</resp>
                  <persName ref="#ssc">Shawntel Courtney</persName>
               <persName ref="#lmw">Lisa M. Wilson</persName>
            </respStmt>
            <respStmt>
               <resp>Date last checked: <date when="2018-07-13">2018-07-13</date>
               Proofing and corrections by</resp>
               <!-- List all proofreaders here, <persName> by <persName>.--> 
               <persName ref="#lmw">Lisa M. Wilson</persName><!-- LMW 2018-04-30:  Proofed body text against ms. to page 3.  Needs header filled in. LMW: 2018-07-14: checking transcription against ms. and first pass coding.-->
            </respStmt>
         </titleStmt>
         <editionStmt>
            <edition>First digital edition in TEI, date: <date when="2017-09-10">2017 September 10</date>. P5.</edition> 
            <respStmt>
                    <resp>Edition made with help from photos taken by</resp>
                    <orgName>Digital Mitford editors</orgName>
                </respStmt>
            <respStmt>
                    <orgName>Digital Mitford</orgName>
                    <resp> photo files: <idno>P1020277.jpg, P1020278.jpg, P1020279.jpg, P1020280.jpg, P1020281.jpg, P1020282.jpg, P1020284.jpg, P1020285.jpg, P1020286.jpg, P1020287.jpg, P1020288.jpg, P1020289.jpg, P1020290.jpg, P1020291.jpg, P1020292.jpg, P1020293.jpg, P1020294.jpg, P1020295.jpg</idno>
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            <authority>Digital Mitford: The Mary Russell Mitford Archive</authority>
            <pubPlace>Greensburg, PA, USA</pubPlace>
            <date>2013</date>
            <availability>
               <p>Reproduced by courtesy of the <orgName ref="#ReadingCL">Reading Central Library</orgName>.
               </p>
               <licence>Distributed under a Creative Commons Attribution-ShareAlike 3.0 Unported
                  License</licence>
            </availability>
         </publicationStmt>
         <seriesStmt>
            <title>Digital Mitford Letters: The Mary Russell Mitford Archive</title>
         </seriesStmt>
         
         
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               <msIdentifier> 
                  <repository ref="#ReadingCL">Reading Central Library</repository>
                  <collection>The letters of Mary Russell Mitford, vol. 4, 1819-1823</collection>
                  <idno>qB/TU/MIT Vol. 4 Horizon No.: 1361550 ff. 381</idno>
               </msIdentifier>
               <head>Letter from Mary Russell Mitford to Sir William Elford, <date when="1819-09-12">1819 September 12</date>
               <note resp="#lmw">Letter dated thus in Mitford's hand: September 12, 1819. Continued "Wednesday night."</note>--&gt;
                 
               </head> 
              
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                     <support> <p>Two sheets of 23.5 mm high <material>paper</material>, four surfaces photographed. Folded in half vertically then in thirds horizontally.</p> 
                        <p>No postmarks.</p> 
                        
                     </support>
                     <condition>
                        <p>Second sheet (pages seven and eight) torn on right edge of page seven where wax seal was removed. There is also a small circular tear at the site of the now-removed wax seal.</p>
                     </condition>
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                  <sealDesc>
                     <p>Three small remnants of red wax seal, now removed. Mitford indicates she removed the seal herself, as the letter was to be hand delivered.</p> 
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        <handNotes>
           <handNote corresp="#rc" medium="red_crayon"> Red crayon or thick red pencil. Probably a different hand from Mitford's that marks many of her letters, sometimes drawing diagonal lines across pages, and sometimes writing words overtop and perpendicularly across Mitford's writing. A red line is drawn from top left to bottom right of each of the first six leaves. A phrase is struck out in red crayon on page two.
              
              On leaves seven and eight, red lines are drawn from top left to bottom right across each of the two text blocks. There is no red crayon across the address text block.</handNote>
           <handNote corresp="#pencil" medium="pencil"> Someone, apparently other than Mitford, perhaps cataloging letters and describing them, who left grey pencil marks and numbered her letters now in the Reading Central Library's collection. This letter is numbered "16" in the top left of the first leaf.
           </handNote>
           <handNote corresp="#penAnnot_RCL" medium="pen">Someone, apparently other than Mitford, who occasionally left notes in a spidery thin hand to explain or document details in Mitford's letters in the margins of her pages, noted in the manuscripts held at Reading Central Library. This may be <persName ref="#Harness_Wm">William Harness</persName> or <persName ref="#Lestrange">A. G. L'Estrange</persName>. This letter has addressee identified on the top left of the first leaf.</handNote>
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              <p>Mitford’s spelling and punctuation are retained, except where a word is split at the end of a line and the beginning of the next in the manuscript. Where Mitford’s spelling and hyphenation of words deviates from the standard, in order to facilitate searching we are using the TEI elements “choice," “sic," and “reg" to encode both Mitford’s spelling and the regular international standard of Oxford English spelling, following the first listed spelling in the Oxford English Dictionary. The long s and ligatured forms are not encoded.</p> 
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         <pb n="1" facs="P1020278.JPG"/>
            <opener> 
               <add hand="#penAnnotRCL">To <persName ref="#Elford_SirWm">Sir W. Elford</persName>
                    </add>
               <add hand="#pencil">16</add> 
               <dateline>
                  <name type="place" ref="#Bertram_house">Bertram House</name> 
                  <date when="1819-09-12">Sep<hi rend="superscript">t</hi> 12<hi rend="superscript">th</hi> 1819</date>. 
               </dateline>
               
            </opener>

         <p>About fifty times I determined, my dear Sir William, to sustain my epistolary dignity &amp; never be betrayed into writing you three letters to one. But it is in vain--the more I resolve the less I execute--especially when the resolution is a sort of unnatural holding one’s tongue--So consoling myself with the sophistry that the letter which crossed yours cannot count for a bona fide letter--only a sort of a sidewind-- &amp; that I have only sent one epistle since--I write. My motive is partly a desire to prattle--partly a desire to hear--mostly the last.--First of all you must condole with me. I have lost my poor Mossy. He died about a fortnight ago of a fit, exceedingly lamented by every body about the place &amp; most of all by me--the faithfullest &amp; most intelligent creature in the world &amp; fonder of me than anything in it except just Papa &amp; Mama. Are not you very sorry for poor Mossy? I remember so well your feeding him &amp; how well he understood when he was to take the meat. I am sure you will be sorry for poor Mossy. He was only 6 years old &amp; had eaten a hearty breakfast just the day he died--but though so large &amp; strong looking a dog he had never been healthy.--Then you must tell me that you have forgiven one breach of promise--I assure you if I have not been to Bickham I have been no where else--scarcely out of our own gates--but sitting under the trees all day long reading, working, &amp; taming <del rend="squiggles" unit="word" n="1"/>
                    <add resp="#lmw">by</add> half the redbreasts &amp; black birds in the neighborhood--a very lazy very happy life. Then when you have condoled &amp; pardoned you may say what you will--any thing--or nothing--no not nothing English--nothing French--<foreign xml:lang="fr">des riens</foreign>--they make the best letters of any thing of my acquaintance as witness Madame de Sevigne--Horace Walpole &amp; Sir William Elford. <pb n="2" facs="P1020279"/>Mrs. Dickinson is come home quite delighted with your Camilla criticism <del rend="strikethrough" unit="word" n="4" resp="rc">which is indeed admirable</del>--I have promised to show her that on the Bride of Lammermoor which she admires for those precise qualities which you &amp; I call faults! She won’t be converted--but she will think it very clever (your critique I mean) nevertheless. The Legend of Montrose she did not much like in spite of Captain Dalgetty. By the way did I ever <del rend="strikethrough" resp="penAnnotRCL" unit="word" n="5">say to you that which</del>
                    <add place="above" resp="penAnnotRCL">mention what</add> strikes me so much in reading that &amp; some other of Scott’s Characters--that he is a greater favorite with the Author than he pretends--that he makes believe to decry &amp; undervalue him just by a species of allowable coquetry to gain more surely the hearts of his readers. Shakespeare I think does that with some of his finest &amp; most intellectual characters--Falstaff, Shylock, Richard--&amp; the reaction is felt even by those who do not observe the artifice. Perhaps this is only a fancy of mine--but I have it--&amp; where <metamark rend="caret" place="below"/>
                    <add place="above">is</add> that fancy which I do not tell you?--Oh I have been reading Opie’s Lectures--Indeed Dr. Valpy having a spare copy gave them to me--a very valuable gift in my opinion. Nothing can <del rend="squiggles" unit="word" n="1">give</del>
                    <add place="above">be</add>be a juster character than your phrase, <q>There is no standing still in them</q><!--LMW: I think the comma and the quotation marks are added by penAnnotRCL, not Mitford. How/if to tag?-->--all is clear sparkling running water--no weeds, no scum, no mud. They give me a much higher idea of his powers than his paintings--or rather having constantly before my eyes a coarse &amp; unpleasant specimen of his portraits I had allowed myself to be prejudiced against him-- naturally perhaps but certainly unfairly.<add resp="penAnnotRCL">
                        <metamark rend="asterisk"/>
                    </add><!--LMW: This is the symbol similar to the Japanese reference mark or asterisk: ※ See https://en.wikipedia.org/wiki/List_of_Japanese_typographic_symbols#Other_special_marks.-->  The lectures are very powerful--they have not Fuseli’s Italian Imagination, but they make up for that deficiency by a great fund of English good sense. I do not like them the less because they contradict Fuseli in the very points which made me stare so much. A great proof that Mr. Opie is right. Don’t you think so?-- Pray have you read Evelyn’s Memoirs? If not do. Begin forthwith--&amp; do not shrug of your shoulders or look askew at the<add resp="penAnnotRCL">
                        <metamark rend="asterisk"/>It was a very fine picture of Dr. Mitford &amp; the likeness to the truth was too strong to satisfy the ideal view which the daughter took of his Manners &amp; character</add>
            
            <pb n="3" facs="P1020282.JPG"/> bulk of the Volumes--they are as entertaining as they are thick.--I cannot give them a higher character. Perhaps I like them the better for the portion of history that they embrace--The reign of the Stuarts from Charles the 1<hi rend="superscript">st</hi> to the Revolution has always been the part of English story that has had most attractions in my eyes--After the Revolution all is as dull &amp; flat as a novel when the hero &amp; heroine are married, &amp; I would as soon read the long accounts of Miss Byron’s wedding dresses &amp; Sir Charles Grandison’s furniture, as the petty squabbles of William &amp; Mary &amp; Anne &amp; the Georges--Now Evelyn not only gives you all the finest part of this grand fifty years drama but shows the Actors behind the scenes--off the stage--with their wigs thrown by &amp; their hoops off--You meet them at dinner parties &amp; at plays the Buckinghams, the Shaftesburys the Arlingtons the Clarendons--all the cabal-- you talk with the King &amp; the Duke by land &amp; by water--let houses to the Czar Peter &amp; show gardens to the Russells &amp; the Sidneys--All the <del rend="squiggles" unit="word" n="3">personages of the</del>dramatis personae of the the Memoires de Grammont are before you &amp; half the heroes of the State trials. Nothing can be more delightful--there are some charming letters too from that unlucky personage the Queen of Bohemia--whose adhorrence of the K &amp; Queen of Sweden (Christian) is exceedingly dramatic &amp; entertaining &amp; a correspondence between Lord Clarendon <metamark rend="caret" place="below"/>
                    <add place="above">when only Sir Edward Hyde</add> &amp; Sir Richard Browne his Majesty's resident at Paris which puts the poverty of that ambulating court in the strongest point of view possible--Only think of the Chancellor's sending the Preisdent a Pistole to pay the postage of his letters--&amp; begging the Resident who had been lucky enough to light upon some wire to pay the Carriage or he should not be able to take it in. Nothing as I said before can be more delightful. Pray read it. Then I have been reading about the same people in a fine lordly book--Lord John Russell's Life of Lord Russell. Don't <pb n="3" facs="P1020284.JPG"/> read that. Its prodigiously heavy indeed--it does nothing but stand still--it quarrels--it turns up its nose--it says How good I am to tell you all this--you <metamark rend="caret" place="below"/> never forget that its by a Lord &amp; about a Lord all the way through--that I must say though he is my Cousin.--Now Bishop Burnet tells the very same story &amp; he makes it interesting--but between Bishop Burnet's Book &amp; Lord John's there is much the same difference as between the old Lord Russell alive with his head on, &amp; the said Lord Russell dead with his head off.--It's a great mercy that Lord John when he was about it did not take Algernon Sidney in hand--That would have overset my patience entirely--Instead of the cousinly &amp; civil manner in which I have spoken of him above I should I am afraid have said something disrespectful &amp; saucy--for Algernon Sidney is my hero of Heroes, the only rival of Napoleon in my heart, &amp; millions of miles above Lord Russell--whom (to confess the truth--as a great secret &amp; quite in a corner) I cannot help thinking a good deal over-rated. He was a very good man to be sure--too good by fifty times--though abundantly heavy &amp; preachy &amp; prosy--&amp; but for his excellent luck in being beheaded in such a cause might have lived &amp; died without the slightest risk of pitching in any rhyme but a dedication or an Epitaph. And (as a still greater secret--in a still lower voice &amp; closer squeezed into the corner) my opinion of his wife is pretty much the same--She was a very good wife to be sure &amp; a good Mother--though rather addicted to match making &amp; Bishop-making--&amp; putting me in mind perpetually of Buckingham's presentation of Richard to the Mayor &amp; Alderman <!--LMW:  quotation marks added by Annotator?-->
                    <q>See where his Grace stands twixt two Clergymen</q>--but to talk of her as such a miracle of talent &amp; character--to place her on the same line with the Mrs. Hutchesons the Lady Fairfax's the Madame Rolands is an injustice of praise for which I can only account by the violent prejudices of party Historians who will have Angels &amp; Devils for their personages instead of Men &amp; Women.--Pray don't tell. <add resp="rc">)</add>
                    <pb n="4" facs="P1020285.JPG"/>But even more than Evelyn I must recommend to you a book that I have just finished--Peter's letters to his Kinsfolk--Have you read it? It is a fictitious account of real people &amp; those people are all the celebrated men of the Northern Athens vulgarly called Edinburgh. The book is charming--so are the people--James Hogg I am in love with--(I always was in love with his poetry)--&amp; I am little less with John Wilson--though his verses are not so much to my taste--Mr. Jeffrey is very taking too--In short I read the book twice over &amp; should like exceedingly to read it again. The Author is a great craniologist &amp; makes a very artistlike &amp; graphical use of this unknown knowledge. He is also a great Tory which you will like &amp; a great Wordsworthite which you will dislike--but altogether I defy you not to be pleased.--The accounts of the great advocates are admirable particularly Mr. Clark <metamark rend="caret" place="below" resp="penAnnotRCL"/>
                    <add place="above">mr Jeffrey <metamark rend="cross"/>
                    </add><!--more added here then lined out by annotator.--> Mr. Jeffrey Mr. Cranstoun--(Is he a brother of your Correspondent?) One quite wonders at the power which has given such an air of reality &amp; <!-- squiggles --> identity to such high coloured panegyric--for he scarcely mentions any one but to praise except poor old Lord Buchan--&amp; yet one is scarcely every tempted to suspect him of flattery. I liked it <!--del--> the better for my old acquaintance with Blackwood's Magazine for which in spite of its toryism &amp; its sauciness I have had all along a sneaking kindness. Do read Peter. By the way I wonder very much who he is! Tell me if you hear. Now I will positively plague you no more about books.--<!--waves--> The Hofland's splendid publication (that can't be called a book for the engravings are the soul of that grand work) is out at last--&amp; they are in great luck not to have got many subscribers for the booksellers have agreed to take them at 7 guineas a copy <pb n="5" facs="P1020289.JPG"/> don't like the sight of one.</p>
         <p>Adieu my dear Friend!--I shall not send this till Wednesday when owing to a grand music meeting at Reading there will be a great influx of Lords &amp; M.P.s. Perhaps I may hear from you by that time--so I shall leave <q>"ample room &amp; verge enough"</q> for my answer--Adieu--Papa &amp; Mama beg their best regards &amp; I am ever</p>
       
         <closer>Most sincerely &amp; affectionately <choice>
                        <sic>your's</sic>
                        <reg>yours</reg>
                    </choice>
                    <lb/>
           <persName ref="#MRM">M. R. Mitford</persName>.
</closer>
          
         <postscript>
            <p>Wednesday night. No letter to answer yet! Naughty man! as some one of Mr. Richardson's heroines is wont to say--Naughty Man!--which was it used to say so? Miss Howe? or Lady G? I can't remember--but the word is a good one--&amp; seems made on purpose to be applied to the very best correspondent in the world--the best letter writer I mean--when he takes a fit of laziness &amp; <emph rend="underline">Lotos his pen</emph>--Naughty Man--have you read the last that is <!--torn--> third Volume of Nicholl's Literary History of the last Cent<gap reason="torn" unit="chars" n="3"/>
                        <supplied resp="lmw">ury</supplied>--I am reading it now--not finished--but very much amused especially with the Hardinge Part of the Miscellany--That Mrs. George Hardinge seems to have been a singularly strange character for a eminent judge--a Boswellish sort of a person--full of good humour &amp; animal spirits &amp; self importance &amp; vanity &amp; flattery &amp; vivacious detail--a sort of person to jump &amp; sing when other men would walk &amp; talk--some of his letters very very entertaining indeed particularly the letters Royal. The account of the Duke of Kent's establishment at Castle Hill is the best &amp; most amusing way of accounting for his debts that I have met with--I had a very high opinion of the Duke of Kent &amp; I am really quite sorry (as sorry as one can be for a thing one laughs at) to find him guilty of so much solemn frivolity.--You will guess that I mean to recommend Mr. Nicholl's Melange--so I do--with much skipping will be<pb n="6" facs="P1020292.JPG"/> understood--for just now I am stranded amongst a shoal of<metamark rend="caret" place="below"/>
                        <add place="above">the illustrious <unclear/>
                        </add>--dull acquaintances <metamark rend="caret" place="below"/>
                        <add place="above">&amp; such small dogs</add> whose own trumpery letters are become Antiques--deuce take the Good Bodies--they hurt me not for I skip--The book is a good book notwithstanding--there is a delicious little bit of Lord Stanhope's charming madness--&amp; a good deal of Bishop Watson's matchless egotism--&amp; one or two morsels of Horace Walpole. By the bye have you read his letters to Mr. Montagu &amp; Mrs. Cole?--Good bye--I remember I promised you to talk no more of books this time--but you are used to my breach of promise in this way--&amp; mind it no mo<gap reason="torn" unit="chars" n="2"/>
                        <supplied resp="lmw">re</supplied> than an eel does skinning--This letter looks prodigiously like the literary article in some third rate magazine--the article called notices of new publications stuck in the midst of deaths, thunderstorms, &amp; <del rend="squiggles" unit="word" n="1"/> patients lately enrolled.--forgive the fine stitched double<!--??--> nonsense a literary air.--I say this because I am sure you will think it--Adieu--I hope all your family are well &amp; Miss Welsford proceeding in her case--God bless you.</p>
         </postscript>

              <postscript>
                    <p>I took off the seal for fear of weight. The way it got so dirty &amp; crumpled was travelling in Papa’s pocket--Pray excuse it--</p>
                </postscript>
            
             <closer><!--Use the <closer> element again to hold Address Leaf information, indicating where Mitford directed her letter.-->
               <address> <!--Include any text written on the address leaf; use a separate "addrLine" for each line and indicate line breaks. Closer tags must also enclose the address section. NOTE AGAIN: If Mitford has a postscript, that postcript must *not* be enclosed in the closer tags, even when they are written after the signature and before the address. It's a TEI rule (sigh). -->
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                            <lb/><!--Text of a line on the address leaf, with context coding and superscripts indicated.-->
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                            <lb/><!--Text of a line on the address leaf, with context coding and superscripts indicated.-->
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     <back>
        <div> <!-- In this section, place any NEW xml:id's generated by this letter (ie, id's not already included in our SI), then research and write entries for each. Under resp="", use your xml:id. NOTE: The <div> element must be present, nested inside <back>. -->
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                <forename><!--if necessary, more middle names--></forename>
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             <persName><!--alternate persName, such as a nickname?--></persName>
             <persName><!--Use as many of these as necessary to catch alternate names of this person.--></persName>
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             <death when="yyyy-mm-dd">
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             <!--Other tags can go here: See Codebook for more details.-->
             <note resp="#Your_Editor_ID"><!--Biographical notes of interest. You don't need to tell the person's life story if they're already well-known, like Napoleon. But do indicate the person's significance in Mitford's world. More on this in the Site Index.--></note>
          </person>
          <person xml:id="proposed_new_ID2"><!--Here's a minimal entry-->
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             <note resp="#Your_Editor_ID"><!--Some information here.--></note>
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                <date when="yyyy"><!--Date. The @when attribute can be yyyy, yyyy-mm, or yyyy-mm-dd.--></date>
             </bibl>
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           <!--A few other kinds of lists apply. See Codebook and Site Index at http://digitalmitford.org/si.xml for guides.-->
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