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    <teiHeader>
        <fileDesc>
            <titleStmt>
                <title>Letter to <persName ref="#Haydon">B.R. Haydon</persName>, <date when="1821-02-09">9 February 1821</date>.</title>
                <author ref="#MRM">Mary Russell Mitford</author>
                <editor ref="#kab">Karen Bourrier</editor>
                <sponsor>
                    <orgName>Mary Russell Mitford Society: Digital Mitford
               Project</orgName>
                </sponsor>
                <sponsor>University of Pittsburgh at Greensburg</sponsor>
                <principal>Elisa Beshero-Bondar</principal>
                <respStmt>
                    <resp>Transcription and coding by</resp>
                    <persName ref="#kab">Karen Bourrier</persName>
                </respStmt>
                <respStmt>
                    <resp>Proofing and corrections by</resp>
                    <persName ref="#lmw">Lisa M. Wilson</persName><!-- lmw:  2015 09 27.  I proofed against the ms. HEADER needs to be checked. -->
               <!--ebb: 1 July 2014: Letter needs to be proofed against the ms images. I have checked the tagging and added editorial notes on Haydon's paintings.--><!-- lmw:  I checked against the ms. 25 Sept. 2015 -->
                </respStmt>
            </titleStmt>
            <editionStmt>
                <edition>First digital edition in TEI, date: 4 June 2014. P5.</edition>
            </editionStmt>
            <publicationStmt>
                <authority>Digital Mitford: The Mary Russell Mitford Archive</authority>
                <pubPlace>Greensburg, PA, USA</pubPlace>
                <date>2014</date>
                <availability>
                    <p>Reproduced by courtesy of the <placeName>Reading Central Library</placeName>.</p>
                    <licence>Distributed under a Creative Commons Attribution-ShareAlike 3.0 Unported
                  License</licence>
                </availability>
            </publicationStmt>
            <seriesStmt>
                <title>Digital Mitford Letters: The Mary Russell Mitford Archive</title>
            </seriesStmt>
            <sourceDesc>
                <msDesc>
                    <msIdentifier>
                        <repository ref="#ReadingCL">Reading Central Library</repository>
                        <collection>The letters of Mary Russell Mitford, vol. 4, 1819-1823</collection>
                        <idno>qB/TU/MIT Vol. 4 ff.441 Horizon No.: 1361550 </idno>
                    </msIdentifier>
                    <head>Letter from <persName ref="#MRM">Mary Russell Mitford</persName> to <persName ref="#Haydon">B. R. Haydon</persName>, <date when="1821-02-09">9 February 1821</date>.</head>
                    <physDesc>
                        <objectDesc>
                            <supportDesc>
                                <support>
                                    <p><!-- Appears to be a sheet of paper folded in half, with another  --></p>
                                    <p>Address leaf bearing the following postmarks: 1) A black circular stamp reads 
                              READING<lb/>
                                        <date when="1821-02-12">12 FE 1821.</date>
                                        <lb/>42
                              <lb/> 2) A brown double-circle stamp reading 12 FE 12.
                              <lb/> 3) A sepia oval stamp reading <unclear/>o'Clock <lb/>FE 12<lb/>1821 ENG
                             </p>
                           <!--kab: I have done all of this to the best of my ability, but am quite uncertain about reading the postmarks and would appreciate help! -->
                           <!-- lmw:  added postmark info., need to fix code. Also a 7?-->
                                </support>
                                <condition>
                                    <p>A portion of page 3 has been torn away under the seal.</p>
                                </condition>
                            </supportDesc>
                        </objectDesc>
                        <sealDesc>
                            <p>Red wax seal, adhered to upper right corner of page four.</p>
                        </sealDesc>
                    </physDesc>
                </msDesc>
            </sourceDesc>
        </fileDesc>
        <profileDesc>
            <handNotes>
                <handNote xml:id="rc" medium="red_crayon"> Red crayon or thick red pencil. Probably a
               different hand from Mitford's drawing a diagonal line across pages 2-3.</handNote>
                <handNote xml:id="black_ink" medium="black_ink"> Someone cataloging the letters,
               apparently other than Mitford, wrote B R. Haydon Esq at the top of page 1.</handNote>
                <handNote corresp="#pencil" medium="pencil">Someone cataloging the letters, apparently
               other than Mitford, numbered each on page 1.  In this case there is a letter "25" at the top lefthand corner</handNote>
            </handNotes>
        </profileDesc>
        <encodingDesc>
            <editorialDecl>
                <p>Mitford’s spelling and punctuation are retained, except where a word is split at the
               end of a line and the beginning of the next in the manuscript. Where Mitford’s
               spelling and hyphenation of words deviates from the standard, in order to facilitate
               searching we are using the TEI elements “choice," “sic," and “reg" to encode both
               Mitford’s spelling and the regular international standard of Oxford English spelling,
               following the first listed spelling in the Oxford English Dictionary. The long s and
               ligatured forms are not encoded.</p>
            </editorialDecl>
        </encodingDesc>
    </teiHeader>
    <text>
        <front>
            <div type="witness">
                <listWit>
                    <witness xml:id="ebb">Elisa Beshero-Bondar</witness>
                    <witness xml:id="LEst1870">
                        <bibl>
                            <title>The Life of Mary Russell Mitford Related in a Selection from Her
                        Letters to Her Friends, Second and Revised edition</title>, 3 vols., Ed.
                        <author>Alfred Guy Kingan L’Estrange</author>. <pubPlace>London</pubPlace>:
                        <publisher>Richard Bentley</publisher>, <date>1870</date>. </bibl>
                  <!-- Not sure if this letter is in L'Estrange -->
                    </witness>
                </listWit>
            </div>
        </front>
        <body>
            <div type="letter">
                <opener>
                    <dateline>
                        <placeName ref="#ThreeMileCross">Three Mile Cross</placeName>
                        <date when="1821-02-09">February 9<hi rend="superscript">th</hi> 1821.</date>
                    </dateline>
                    <salute>My dear Sir</salute>
                </opener>
                <p>I am quite ashamed when I look at the date of your last letter, but I generally transgress <del>the</del> against the etiquette of correspondence by writing too soon--so you must balance one <choice>
                        <sic>offence</sic>
                        <reg>offense</reg>
                    </choice> with the other &amp; forgive me for both--you are so good that I am sure of your pardon. I have been very busy--audaciously busy--writing a tragedy. We are poor you know--When I was in Town I saw an indifferent Tragedy of which the indifferent success produced for the author <measure type="currency">three or four hundred pounds</measure>. This raised my emulation, which the splendid <del rend="squiggles">
                        <gap quantity="2" unit="word"/>
                    </del> reception of <title ref="#Virginius_play">Virginius</title> or <title ref="#Mirandola_play">Mirandola</title> would never have excited &amp; I began to write on the subject of <persName ref="#Fieschi_GL">Fiesco</persName> whose conspiracy against <persName ref="#Doria_Andrea">Doria</persName> is so beautifully told in <persName ref="#Robertson_William">Robertson's</persName>
                    <title ref="#CharlesV">Charles the Fifth</title>. There is a <bibl corresp="#Fiesco_play">German tragedy</bibl> of the same name, I believe, by <persName ref="#Schiller_F">Schiller</persName>, but I have neither seen nor sought for it probably on the same principle on which <persName ref="#Fuseli_H">Mr. Fuseli</persName> <!-- lmw:  I'm pretty sure this reads Mr. Fuseli, not Mrs. So SI needs to be Henry, the artist, not his wife Sophia. -->avoids nature for fear that <persName ref="#Schiller_F">Schiller</persName> should <quote>"find me out."</quote>--It is finished--that is it was finished--but as I had unluckily slid my hero off the scene like a ghost, I am advised to write the Fifth act over again, which I shall do next week. It is terribly feeble &amp; womanish of course--wants breadth--wants papism--&amp; has nothing to redeem its faults but a little poetry &amp; some merit they say in the dialogue. I am afraid that it will not be accepted &amp; that you will never hear of it again--but I could not bear to make an attempt of the sort without confiding my many fears &amp; my few hopes to one who will I am sure <choice>
                        <sic>sympathise</sic>
                        <reg>sympathize</reg>
                    </choice> with both--my anxiety on the subject is not of vanity--It is not fame or praise that I want but the power of assisting my dearest &amp; kindest <persName ref="#Mitford_Geo">Father</persName>. I am in very kind &amp; skillful hands--<title ref="#Fiesco_MRMplay">Fiesco</title> is now with <persName ref="#Talfourd_Thos">M<hi rend="superscript">r</hi> Talfourd</persName> our highly gifted Town'sman--who gives me that which is most precious, Time &amp; advice &amp; <unclear>
                        <supplied resp="#kab">criticism</supplied>
                    </unclear> almost as good as your's on <title ref="#Mirandola_play">Mirandola</title>. I suppose it is the etiquette not to mention these things till they <gap reason="wax seal" unit="word" n="1"/>
                    <unclear>
                        <supplied resp="#lmw">are</supplied>
                    </unclear>actually accepted--so you will have the goodness not to speak of it.--</p> <!--kab:  I consider this long dash to be a paragraph break the same as the squiggle.  There is a reference in this paragraph to Mast? and Daphne that it would be great if someone could figure out, I'm stuck. ebb: Daphne is a pet dog (and we've decided to code named animals as persName and include with our list of historical persons!) We'll check the other bit when someone reviews this against the manuscript.-->
                <p>
                    <persName ref="#James_Miss">Miss James</persName> was called was called home so suddenly that I lost the happiness I had promised myself in seeing her. Her sister has been indisposed &amp; they are now much occupied with four pupils. You will probably see her long before I shall, for certainly she will make haste to go to <placeName ref="#London_city">Town</placeName> &amp; look at your new picture.<note resp="#ebb">Most likely, this is <title corresp="#Lazarus_Haydon">Haydon's Raising of Lazarus</title>, on which he was working at this time, completed in <date when="1823-02">February 1823</date>.</note>. Is the S<hi rend="superscript">t.</hi> John equal to the Christ? Is that possible?<note resp="#ebb">Mitford may be referring to appearance of <persName ref="#John_Apostle">St. John</persName> in relation to the image of <persName ref="#Jesus">Christ</persName> in the new painting. An <bibl>article entitled <title level="a">"Mr. Haydon's Raising of Lazarus"</title> in the <date when="1823-04-01">April 1, 1823</date> issue of <title level="s">The Repository of Arts, Literature, Fashions, &amp; Manufactures</title> comments that <title corresp="#Lazarus_Haydon">Haydon's painting</title>, taken from the account of <persName ref="#Jesus">Christ</persName>'s raising of <persName ref="#Lazarus">Lazarus</persName> from <bibl corresp="#JohnGospel_NewTest">the Gospel of St. John the Evangelist</bibl>, depicted <persName ref="#John_Apostle">St. John</persName> prominently "with an expression of fervent piety at this fresh proof of <persName ref="#Jesus">his divine master</persName>'s omnnipotence."<biblScope unit="page">239</biblScope>
                        </bibl>
                    </note> I am very anxious to look once more at <title corresp="#ChrstEJrslm_Haydon">the divine Head</title> which hangs on my memory like some beautiful dream.<note resp="#ebb">Mitford is most likely recalling <persName ref="#Haydon">Haydon</persName>'s famous painting, <title corresp="#ChrstEJrslm_Haydon">Christ's Entry into Jerusalem</title>.</note> --Your health &amp; eyes continue I hope to mend.--I can give you an excellent account of <unclear>
                        <supplied resp="#kab">Mast</supplied>
                    </unclear><!--lmw: Nash? --> &amp; <persName ref="#Daphne_pet">Daphne</persName>.--If you should meet with any high &amp; simple story for a Traged <gap/>
                    <unclear>
                        <supplied>y</supplied>
                    </unclear> will you think of me &amp; send it me--I <gap reason="torn" unit="word" n="1"/>
                    <unclear>
                        <supplied resp="#lmw">mean</supplied>
                    </unclear> to try some grander subject.--Have you heard lately of M<hi rend="superscript">r.</hi>
                    <persName ref="#Keats">Keats</persName>?--Pray forgive this bad disjointed note.--I could not bear to appear longer unmindful of your kind letter--&amp; yet am so hurried &amp; with visitors that I have not time to write decently.--Adieu my dear Sir--my <persName ref="#Mitford_Geo">Father</persName> &amp; <persName ref="#Russell_M">Mother</persName> join in kindest regards to you--</p>
                <closer>
                    <lb/>Ever most sincerely <choice>
                        <sic>your's</sic>
                        <reg>yours</reg>
                    </choice>
                    <lb/>
                    <signed>
                        <persName ref="#MRM">M. R. Mitford</persName>.</signed>
                </closer>
                <closer>
                    <address>
                        <addrLine>
                            <persName ref="#Haydon">B. R. Haydon</persName> Esq<hi rend="superscript">re</hi>
                        </addrLine>
                        <addrLine>
                            <placeName>
                                <district ref="#StJohns_Place">St. John's
                        Place</district>
                            </placeName>
                        </addrLine>
                        <addrLine>
                            <placeName>
                                <district ref="#Lisson_Grove">Lisson Grove
                        North</district>
                            </placeName>
                        </addrLine>
                        <addrLine>
                            <placeName>
                                <district ref="#Regents_Park">Regent's Park</district>
                            </placeName>
                        </addrLine>
                        <addrLine>
                            <placeName ref="#London_city">London</placeName>
                        </addrLine>
                    </address>
                </closer>
            </div>
        </body>
        <back>
         <!-- lmw:  backlist added to my compilation 2015 10 03-->
        
         
         <!--kab: I have added new prosopography entries to the site index and uploaded my version of the site index, 17 June 2014, KAB.  MRM seems to refer to and ask after two paintings by Haydon, one of St John the Baptist and one of Christ: perhaps for someone who knows more to look into?-->
         <!--ebb: 1 July 2014: I have added references and editorial notes on Haydon's paintings.-->
        </back>
    </text>
</TEI>
